It worked so well that I got three out of five LCD Soundsystem members in this photo. “I used a drag shutter, just letting all of that ambient stage light in. “That’s, like, a classic rock photography photo,” Soter says. LCD Soundsystem jumped into the fire at the Bowery Ballroom on October 9, 2003. Britney Spears and a whole lot of pop acts, who, as that label started getting really hot, thought, ‘Yeah, we want the DFA sound.’ I think Simon Le Bon was one of those who was like, ‘Yeah, make my album cool.'” “Back then, James was bragging along those lines. “I think Simon Le Bon was there to try and court them to do production for a Duran Duran album,” he continues. “So that’s what it takes: It takes a frontman from Duran Duran to show up to get James to smile. “It was a rare opportunity, now that I think about it, to have James smiling,” Soter says. LCD Soundsystem’s Phil Mossman, Nancy Whang, and James Murphy share smiles with Duran Duran’s Simon Le Bon in Bowery Ballroom’s green room on October 9, 2003. Duran Duran’s Playing at My House (Maybe).“They used to make these filters for it that were cheap, strange, little pieces of plastic you put in front of the lens so you could get motion blur or multiple exposures.” “I achieved the multiple exposure effect with a Polaroid Spectra,” he continues. She’s still performing but is doing different things. “Gavilán had a workshop in the studio basement area of DFA and would repair or modify anything that was required of the synths. “Gavilán and Delia worked together to make electronic music, and Gavilán was the synth wizard of DFA,” Soter says. Soter took this unusual shot of Gavilán Rayna Russom (working under the alias Gavin Russom) and Delia Gonzalez at Plantain Studios. It’s kind of a nice record that they didn’t even have a full album out yet.” So this is either James’ desk or Jonathan Galkin’s desk. “So when I was waiting around for them, I looked around the office and started documenting everything I could. “That era was when photographers were finally starting to use and potentially trust digital cameras,” Soter says. It was May 15, 2003, and LCD Soundsystem had three days left to finish up their self-titled debut, s somebody noted on a whiteboard in DFA’s office. The Making of ‘LCD Soundsystem’ (With Soundsystem).I just documented what he wanted to be perceived as.” I think when you laugh, that’s when you’re truly yourself, like, that’s really when your personality comes through. “He only gave me that blank expression,” Soter continues. I don’t think his aesthetic is the same now, nor am I wearing the same clothes I wear 20 years ago. Can, I think, gets a mention in ‘Losing My Edge.’ And I like his digital looking watch I like his aesthetic. “I liked the fact that he is wearing his Can T-shirt there, which I think he was proud of. “I really liked that environment,” Soter says of DFA’s studio space, which was located in the basement of their office.
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